Readings: Grand Cross Full Moon

On January 12, 2017, there's a Grand Cross Full Moon happening, with the Moon and Sun in opposition (and with Pluto very close) and Jupiter and Uranus in opposition. Lux Hominem court astrologer Victoria Martin calls this formation and the days surrounding it "highlights" of 2017. There will be a lot of energy available; what better way to expand its properties than to gaze through the archetypal telescope of a poetry reading?

On January 10, 2017, at 6 p.m., at the Seminary Co-op Bookstore, one of the great bastions of Western civilization, I will be reading with Steven Toussaint, a label mate at the Cultural Society, currently of Auckland, New Zealand, but native of Chicago's South Side.

Anticipate mystic mastery of time and space.

On Saturday, February 25, 2017, at the University of Louisville, at "The Louisville Conference," along with Joseph Donahue and Mark Scroggins, I will be presenting a paper on the work of the great Norman Finkelstein. My talk is tentatively called, "Thaumaturgical Energies and Ceremonies of Crisis: Apocalyptic Transmission in Norman Finkelstein's 'From the Files of the Immanent Foundation.'"

Anticipate unreconstructed bad-assery, especially from Donahue and Scroggins. Who Do Not Mess Around.

And on Monday, March 13, 2017 at Xavier University, I will be reading with Brenda Iijima. I don't have any details for this one yet, but they should arrive shortly.

Reliquiae and the Sampo.

Pleased to report that I have new work in the fourth issue of Reliquiae, the very fine journal edited by Autumn Richardson and Richard Skelton, and published by Corbel Stone Press. My poem, "Thirty-Third Amanita Ode: Parmenides/Clouds," is a meditation on Gerard Manley Hopkins's descriptions of clouds in light of his invented term of uplift, instress. For anyone who might have been keeping track, this poem concludes the series of Amanita odes that comprise Earth Is Best, my manuscript of ethno-mycological effervescence. Scroll down to find my "Mycopoetics," published last year in Hambone.

Also, a review of The Sampo in Publishers Weekly. Nice!

Michael O'Brien 1939-2016.

On Thursday, November 10, 2016 the poet Michael O’Brien, born in 1939, died in New York. Michael was a superb poet, a master of what Ronald Johnson called the “Madame Curie” principle of modern poetry, “compression and radiation.” One predominant model of modern poetry is that innovation yields excellence. Such poetry is valued for its inventiveness. Another, less frequently invoked model is that of caretaking, what Basil Bunting indicated as a desire as a poet “to have maintained the art.” Language is always degrading and the poet, in an expressive precision, stays for a time that erosion. It’s a seemingly more modest position for a poet to take, but no less heroic, after all. Language cunningly placed, used to observe the world minutely, magnifies that world in the imagination. O’Brien was one of our great caretakers. Here is “In the Elevator,” from Sills (2000):

             creaks like a mast

             her leather jacket

             as her body stirs

He also had a special sensitivity to the time we spend falling asleep and then waking up. Here are two poems from his superb collection Avenues (2012):

             He dreams of a

             poem, certain words in

             a certain order that,

             once spoken, would let

             her sleep. He needs to

             find it. Needs

             to find it.

  ::

             Sleep? He lay

             among his

             thoughts for a while.

             His crowded thoughts.

             Counted his

             breaths until

             the numbers

             began to

             count themselves,

             their number-

             life, and he was

             breathing for them.

Michael became a friend a decade ago. I met him a few times but mainly we corresponded. His letters were like his poems: shrewd, apostrophaic, honest. I’ll miss them, and him. May he rest in peace.

Whitman's beard.

At Duke University's Special Collections library, I gazed upon a lock of Whitman's beard. Here it is. The text reads:

a piece of Walt Whitman's hair cut off by myself at Camden 20th July 1886 Richard Bucke

Thanks, Dave!

Upcoming readings in North Carolina and Milwaukee.

I have three readings upcoming in North Carolina.

On Wednesday, September 14, 2016, I'll be reading at Arcana Bar & Lounge in Durham, courtesy of Lute & Drum. Reading begins at 8 p.m. Be there!

On Thursday, September 15, 2016, I'll be reading at Saint Andrews University in Laurinsberg, as part of the Black Mountain College Festival, courtesy of the great Whit Griffin. Reading begins at 8 p.m.

On Friday, September 16, 2016, I'll be reading in Asheville at the Black Mountain College Museum, with my homie Steven Manuel, courtesy of Jeff Davis and MadHat's Poetry. Reading begins at 7:30 p.m.

O'Learys on the Linyanti River, Botswana, with Esse, our guide.

Finally, on Sunday, September 25, 2016, at 2 p.m., I will be reading at Woodland Pattern Book Center with my brother Michael, pictured above, and Amy Evans, coming over from the U.K. Reading begins at 2 p.m.

The Reception.

The Reception, by Michael O'Leary, has just been published by The Cultural Society.

Michael O'Leary with rainbow.

Robert Adamson on The Sampo.

The great Bob Adamson, one of my favorite poets, has given a shout out to The Sampo in the "Reading List" feature at the Poetry Foundation's Harriet.

Adamson on The Sampo.

Adamson edited an Australian edition of Poetry, which has rich contents, including an introduction by Devin Johnston. All worth reading.

Andrew Joron on Ronald Johnson.

Just noticed this perceptive note on Ronald Johnson's ARK.

Joron on Johnson.

Spectral Sampo.

Performing The Sampo at Sector 2337 with Father Bob Hutmacher on the harp.

Sampo arriveth.

The Sampo is here. Official launch on April 27, 2016, at Sector 2337, where I will perform parts of the poem accompanied on the harp by Fr. Bob Hutmacher ofm. Come join us as we loosen the hallucinations.

In the meantime, Steven Manuel conducted an interview with me last month about The Sampo:

Stray Horn interview with Steven Manuel

It's a companion to the interview by Violet Callis that appeared last month in Fnewsmagazine.

5 Questions interview with Violet Callis

Three questions. Sampo preview!

The Sampo is coming from the Cultural Society. In April. In the meantime, I am the subject of an interview for Fnewsmagazine, the newspaper for the School of the Art Institute of Chicago. Thanks to Violet Callis for the interview!

5 Questions

Upcoming readings.

I'll be reading in these places in 2016.

March 9, 2016, in New York City at the Poetry Project, with Joseph Donahue. Prepare for some dark sorcery.

April 27, 2016, in Chicago at Sector 2337, performing with Father Bob Hutmacher. Prepare for some incantatory magic.

May 27, 2016, at the American Literature Association meeting in San Francisco, I will be on a roundtable panel discussing Robert Duncan, with Jeanne Heaving, Brian Teare, Aaron Shurin, Laura Moriarty, and Norma Cole.

September 15, 2016, in North Carolina at St. Andrews University, as part of its semester-long Black Mountain College festival. (Details to come.)

I've got some other potential readings cooking. I'll update this listing as things happen.

Two new essays.

Two new essays. The first, from an issue of Post-Medieval. The essay focuses on Dante. It was solicited by Sean Reynolds.

Imparadising, transhumanizing, intrining: Dante's Celestial Vision

The second, an essay from the Religion: Sources, Perspectives, Methodologies handbook, edited by Jeffrey Kripal, and recently published by Macmillan.

Poetic Religion: Forms of the Visionary Imagination

And the Verge Books website is live!

Verge Books

Coherer, by Alicia Cohen, coming from Verge Books.

Coherer, a new book of poetry by Alicia Cohen, will be published this coming winter 2016 by Verge Books.

I'm working on the new Verge website. Stay tuned.

New poem.

My cover version of Baudelaire's "Le Reniement de Saint Pierre." At the Marsh Hawk Review, in an issue edited by Norman Finkelstein.

Its companion is another cover version, along with an alternate take, of Baudelaire's "Alchemie de la Doleur," published by Gillian Parrish in her spacecraftprojects.

Among the beauties of Baudelaire: he believed in damnation.

Long long ago...

LVNG benefit poster. From 1996? Looks like the handiwork of Brian Calvin. Back from the days of magical realism. {Correction! The flyer was drawn by Devin Johnston. Channeling B.C. from the Days of Rage.}

Phosphorescence of Thought.

Here are some reviews and noticings of Phosphorescence of Thought (Cultural Society, 2013).

Stephen Burt, New Yorker's Page Turner (mainly on Ronald Johnson's ARK)

Publishers Weekly

Nate Klug, The Economy

Brandon Krieg, Poetry Northwest

Jacqueline Lyons, Colorado Review

J. Peter Moore, Chicago Review

Jeff Hamilton, GoodReads

Amy Brown, Plumwood Mountain Review

Forrest Gander, Recommended Readings

Ismael Belda, Revisita de Libros

Ricardo Cázares, Mula Blanco (see p. 29)

Not a review, but a YouTube bonus: me reading the Benedicite hymn in Phosphorescence of Thought at Harvard in December 2014, joined by Dan Beachy-Quick, Fanny Howe, and Patrick Pritchett. Gnostic mysterium.

Four recent essays.

In case you missed these, here are two essays fairly recently published. The first is "Mycopoetics," published in Hambone 21.

Mycopoetics.

The second is "Sacred Fantasy in Game of Thrones," published in Critical Quarterly (April 2015 | Vol. 57 | No. 1).

Sacred fantasy in Game of Thrones

The third is "Seven Tenets of the New Gnosticism," published at the Talisman website.

Seven Tenets of the New Gnosticism.

The fourth is "Apocalypticism: A Way Forward in Poetry," published in Chicago Review.

Apocalypticism.

Letter Machine Book of Interviews.

An interview with me conducted by Joshua Marie Wilkinson appears in the Letter Machine Book of Interviews, edited by Cristiana Baik and Andy Fitch, which was published a few months ago by Letter Machine Editions. This is the same interview that appears on the Volta website.